5 Magic Tricks to Attract a Romanian Woman
A long term relationship with a Romanian woman is a very rewarding experience (if you're with the right person) and will lead you to a level of satisfaction like you have never experienced before.
When selecting a Romanian woman for an LTR you should keep one thing in mind - BE PICKY!!! Settle for nothing less than the best.
The reality is that the hardest thing with Romanian women is to attract them and get them to trust you. So, there is no reason to spend time with women who aren't right for you.
There are some little tricks you have to know that will help you score like crazy.
1. Romanian women like to carry on an intelligent conversation with a man. Many find an interesting man sexy. You can show intelligence by being a good listener. Ask about her interests, her work, her hobbies, and pay attention to the details. This makes for good conversation.
2. Keeping promises is also important. If you say you are going to call, do so. If you say you are going to show up (even at an online date) at a certain time, do so. Don't make idle promises that you have no intention of keeping.
3. Send romantic SMS messages that are evocative. When said with the right mix of emotion and adoration, they are powerful enough to melt the stoniest of hearts. Also sending SMS will help you two to keep in touch and develop your relationship faster.
4. Also adding humor and flirting into the conversation can really spice things up. Women always remember someone who makes them laugh.
5. The most important thing in attracting a good Romanian lady is authenticity. You will attract compatible people when you show them who you really are. You don't want a woman to be attracted to someone you are not! Lying in the beginning only complicates things down the line. Be completely honest from the start and if she likes you, you're in good shape. If she doesn't like you, you didn't find yet the right person.
But don't give up on finding the woman you want, there is some woman out there for every guy. And when you'll find the right one for you all your mates will become invidious.
Article Source: http://articlekarma.com
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The Mysteries of Occult Magic
John Henry Anderson named himself the Great Wizard of the North in the early 1800’s. This famous Philippe usually appeared in a costume of an oriental wizard, who claimed he had powers of second sight, but even some of this can be traced directly to the use of magic. Bill Robinson used his skills to expose the frauds carried out by spiritualists, along with John Maskelyne, Harry Kellar, and Harry Houdini. Their targets were men like the Davenport brothers, who claimed to be spiritualists, but were nothing more that skilled conjurers.
Some of the most dramatic conjuring illusions ever presented on stage were inspired by eerie tales of the occult. Even today, the influences of the occult (reciting magic formulas, devil costumes, mysterious puff of smoke which leads to something vanishing) can be seen in contemporary conjuring acts.
The occult trick that follows has nothing to do with ancient black arts, but has been modified by masterful conjuring tricks. However, if you can master this and others like it, you will be spooking and fascinating people everywhere you go.
Devils black mark
You will need: a teaspoon and a cigarette
To prepare the trick: In advance, moisten the tip of your middle finger of your right hand. Dip the moistened tip into some cigarette ashes and shake off any excess. Hide the ashes that you used.
Perform the trick: Hold you hands naturally at your side and as for a volunteer from the audience. Ask to see her hands and pretend you are reading her palms. Then ask her to turn her palms down so you can examine the backs. Take a hold of their hands so your fingers are touching her palms. Gently press your middle finger onto her left palm to leave a black mark. Tell her you need her to move her hands apart further and bring them about six inches farther apart then let her hands and yours drop to your sides. Ask her to make tight fists with her hands. When she does point back and forth between both of her fists. If she tells you to stop at her left fist, tell her to lower her right. If she tells you to stop at her right fist, tell her to lower her right fist. Remind her to keep her hand tightly closed. Now ask an audience member who smokes to light the cigarette and flick some ashes onto your spoon. Step away from the volunteer, mutter some magic words, and blow the ashes of the spoon towards your volunteers fist. Tell her the devil has been to work on her and if she opens her fist she will have proof because the devils black mark will be in her palm.
Article Source: http://www.articleshine.com
Author Barney Garcia is a proud contributing author and enjoys writing about many different topics. Please visit my web sites @ Information for Life and Magic Tricks
Stage magic – performing tricks for large audiences
First, a regular observation concerns the fact that audiences tend to develop an attraction to tricks made with some of the most common objects, objects that they encounter in their daily activities and to which they give no magic-related importance. For instance, it happens on a frequent basis that considerable numbers of spectators fall for a magic as simple as a coin trick is. People have to handle coins each day and, because of that, they tend to give more credit to a magician performing a coin trick. Their assumption is, in most of the cases, that magicians will not use coin gimmicks with such common objects. In addition, even if this does not apply exclusively to stage circumstances, magicians can make use of impromptus when deciding to perform a coin trick. Moreover, coin gimmicks are a rather regular piece of equipment accompanying a magician, even in impromptu conditions. The impromptu situation is, most of the times, just the impression of the spectator, whereas the magician has taken a long time and a lot of practice to manage so marvelously a coin trick.
However, beyond impromptu circumstances and coin gimmicks, stage magic frequently requires larger magic props, suitable for catching the attention of a large public. Of course, do not instantly assume that, since you are no longer dealing with close-up magic, you should no ask for the assistance of one (or more) of the members of the audience. On the contrary, in order to annihilate their suspicion, you need to draw one (or more) of them into your magic performance. Obviously, you also need to consider several points in the selection of your volunteers. Remember that in stage magic you have to remain in control of your performance as much as possible. Certainly, the introduction of someone exterior to the practice may interfere with your control. However, it does not have to be like that, insofar as you are careful about the spectator you choose.
For instance, during the magic performance, you can distribute items from your magic equipment to spectators. You will tell them that you need some help, without appearing to find it impossible to do the trick on your own. You will see that many people will volunteer. However, for the handling of smaller items, it is preferable that you choose from the public a woman. It is a spread fact that women tend to be less self-reliant during such public events. In addition, they will add grace and even efficiency to your stage magic. Moreover, you should choose women only for passive handling of one of your items. This means that they will simply hold an object you will hand them over from their seat, without having to make any specific moves. If you need someone to handle larger objects, then you should choose a man on whose face you can read the willingness to take part in the whole show. Indeed, it may happen that you select the wrong man, because many of them seem determined to unveil your secrets. However, you can counteract such potential attitudes by making that individual appear somehow hilarious, without making him feel too ridiculous. In the meantime, you can select another man, more suitable to offer you his help.
Pay attention to one detail. While you are selecting another person, do not make it obvious that the other one was bothering you. On the contrary, you must make it seem just another part of the program. In the end, all sorts of unforeseen situations can appear during stage magic performances. You need to stay alert permanently, without appearing too stresses about it, in any case. The secret of tricks performed in front of large audiences is in your manner of entertaining them, without turning it all into a circus show. Remember that you are not there to be a clown. You need to entertain them, but you need to do it in an enchanting, rather than ridiculous manner. This is why you are a magician.
Article Source: http://articlekarma.com
Close-up magic, such as a simple coin trick, may suit a beginner, but it is also appropriate in the hands of a “seasoned” magician. However, magicians who have already exercised a lot are ready to try their stage magic skills, without forgetting that catching the audience’s interest is one of the magician’s best allies in the control of the public.
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